Every CALI Vinyl Trestles Color: Cushioned WPC, 13 Coastal Colors

Railway Gray is the sole gray in the Trestles line - and it is the right kind of gray. This is not the cold, blue-leaning gray-wash vinyl that dominated the 2010s; Railway Gray runs warm, with greige undertones and visible wood grain rather than the abstract texture of older gray vinyl. It is the gray you pick when you want the cooler half of the color wheel under your feet but still want the floor to read as wood, not as concrete.

Locals Only is the warm-tan heart of the Trestles line - a sandy oak with golden undertones that captures the color of dry beach sand at the top of the tide line. The grain reads soft and natural, with enough grain to feel like real wood but never busy enough to fight the rest of a room. It is the color most Trestles buyers default to once they put a sample down next to white cabinetry and a window with real California light, because it does the job a great coastal floor is supposed to do: warm, quiet, unmistakably West Coast.

Timber Beach sits right next to Locals Only on the warm-tan side, but pulls a touch lighter and a touch drier - closer to sun-bleached driftwood than to wet beach sand. The grain is legible without being heavy, which lets the floor act as a quiet sand-toned backdrop rather than a pattern you have to design around. In rooms with strong southern light, it reads noticeably brighter than a Locals Only sample seen in the same conditions.

Top Tie is the everyday-house tan in the Trestles collection - a balanced, mid-warm oak that does not pull aggressively in any single direction. Where Locals Only leans sandy and Timber Beach leans bleached, Top Tie sits in the middle: warm enough to feel inviting in a cool-light north-facing room, restrained enough to not glow orange under afternoon sun. It is the most cabinetry-flexible color.

Honey Beam is the warmest, most saturated color in the Trestles line - a deep, amber-leaning honey with the chromatic depth of stained oak and none of the flat orange of 1990s strip flooring. The graining carries enough variation plank to plank that the floor stays visually alive in big rooms, and the matte finish keeps the warmth grounded rather than glossy. For homeowners who have been waiting for honey oak to come back without coming back tacky, this is the right interpretation.

Sunbaked Escape lives in the honey family with Honey Beam, but reads brighter and lighter - closer to the color of summer wheat than to deep stained oak. The undertone is unmistakably golden, but the saturation stays restrained, which means the floor warms a room up without taking it over. In south-facing rooms with strong afternoon light, this is the color that produces the kind of warm, lived-in glow that defines a well-designed coastal home.

South Seas Oak rounds out the honey end - a soft, hospitable warm-oak with golden saturation and finer, more restrained grain than Honey Beam. Where Honey Beam plays up the grain of stained oak, South Seas Oak plays it down, which gives the floor a quieter, more refined character. In tropical-leaning or warm-traditional interiors, it acts as the perfect warm backdrop for darker furniture and rattan accents.

Pelican Post is the warm mid-brown in the Trestles collection, and built around the kind of saturated oak color that anchors a room without darkening it. The grain carries real plank-to-plank variation, with lighter strands running through a warmer brown base, which keeps the floor visually interesting under both bright daylight and warm evening light. It is one of the most universally-applicable colors.

Huntington Hickory is the hickory-look entry in the Trestles line - a warm brown with the wider chromatic range and livelier grain that defines a real hickory plank. Where the oak-pattern colors stay relatively consistent plank to plank, Huntington Hickory varies meaningfully: warm tan strands, deeper chocolate streaks, and the kind of natural color contrast that gives hickory its distinctive personality. For homeowners who like their flooring with real visual character, this is the right pick.

Dockwood is the weathered-pier color - a brown that reads like reclaimed dock wood that has spent a decade in salt air and sun. The undertone is warm, but the surface treatment pushes the grain forward and softens the chromatic depth, which gives the floor a aged, lived-in quality from day one. It works particularly well in homes that already have weathered-wood furniture, because Dockwood sits in conversation with those pieces instead of competing with them.

Weathered Ledge is the cooler-leaning brown - still firmly in warm-wood territory, but pulled a step toward the slate end of the spectrum compared with Dockwood or Pelican Post. The grain carries gray-brown undertones running through a warm-brown base, which gives the floor a weathered-stone-and-driftwood quality. In mountain homes, Pacific Northwest interiors, and any house that wants a brown floor that does not skew warm-orange, this is the color that solves the problem.

Saddlewood is the warm-dark-brown anchor of the Trestles line - a saturated, leather-leaning brown with the chromatic depth of stained walnut and the warmth of well-conditioned saddle leather. The graining carries enough golden undertone in the lighter strands to keep the overall floor reading warm rather than heavy, even at the saturation level of a true dark floor. It is the color for traditional interiors that want gravity without coldness.

Bridge Beam is the darkest, most architectural color in the Trestles collection - a deep, near-walnut brown with the chromatic complexity that flat-dark vinyl never achieves. Lighter golden strands run through a deeply saturated brown base, which gives the floor its visual depth and keeps it from reading as a flat black plank under low light. In contemporary interiors and design-led traditional rooms, Bridge Beam carries the gravity of dark wood without sacrificing the warmth that keeps dark floors livable.